I watched Shine a light last night. I didn't have high expectations, but I was in the mood to listen to some classic Stones and see if there was any Scorsese magic (I'd actually forgotten he's directed another concert film - The Last Waltz - which I still haven't seen - my bad).
I must say the cinematography was beautiful, especially so in HD. The sound quality was superb, although I noticed various instrument sounds were highlighted when the camera moved to them, especially from the supporting musicians. Even Richards' guitar work seemed to come in and out, but then again maybe he's struggling to stay on and that's how he plays these days. Or maybe, because of the sound quality, I've just noticed this for the first time. If the highlighting was deliberate, the effect seemed a little unnecessary.
Some would call the music of The Stones classic rock, however from this performance you can see that the sound of American blues music is solidly in their English blood. I've noticed their take on the blues on past occasions, but I think it was more evident than ever in the film, maybe it's always been there and it just took a more intimate setting to show it off rather than the mega shows we've been used to in the last 25 years.
[pause while I put on some tracks from 1969's Let it Bleed]
The duets with White, Guy and Aguilera were a great addition. With Jack White you got to really see his playful natural side, Buddy Guy's booming voice was just fantastic and the I loved the sassy and sexy chemistry between Mick and Christina Aguilera. I was also pleasantly surprised by Keith's lead on You Got the Silver, that drugged-out dude can really sing and he really poured a lot of heart and energy into all his playing and singing in the show.
The movie was really a concert film with some intro elements from Scorsese to set the stage. There was some odd nonsense with Bill Clinton and company that seemed a little out of place. It may be a little hard to appreciate Scorsese's hand in the film with no clear directing of the performers, but I'm sure he had a big say in all elements of the film, from the choice of camera angles, editing, lighting, etc. Whatever he did, he made this intimate, bluesy and rocking performance a must see for any fan of The Stones, or any music fan wanting to find out what makes The Rolling Stones one of the best bands of all time.
The movie had a few interjections from old interviews, simple but effective. The selected excerpts showed their early confidence, their intelligent humour and a sense they already knew they would make a mark in the music world. Now in their 60's, the lines on their faces show they've enjoyed an exhausting career, but you can't fault their energy levels. It shows that youth never has to die, these kids are still just doing what they love. Jagger's non stop moves actually reminded me of Brandon Flowers' Killer performance at Friday's night show here in Toronto.
I watched the movie by myself in my basement, but I didn't feel alone. I sung out loud a few times and felt like clapping in appreciation of their artistry on many occasions. I've seen them live twice (1981 Tattoo You tour in Detroit and the massive SARS concert here in Toronto in 2003), but I felt I could almost call this the third, it was such a personal experience.
The film did it's job for me. It reminded me how truly great The Rolling Stones are. The New York performance shows what wonderful consummate performers they are. 40 years on and their energized and intelligent combination of classic blues and rock with the most singable and mature lyrics around is still shining bright. I'm proud to call them my countrymen.
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